Anderson director biography

The latest news biography of the UES Anderson is a cult American director, screenwriter and producer whose work is so unique that cinema theoreticians decomposed them on shelves and study the director’s work in universities. But WESS Self -taught. Bright palettes, love of symmetry, incredibly detailed picture - integral elements of Anderson style, thanks to which the film is obtained from the first frame at the output.

Childhood and youth The future cult director of Wesley Mortimer Wales Anderson was born on May 1 of the year in the Texas city of Houston. Father, Melver Leonard Anderson, worked in the advertising business, and then organized his own business. Mother, Texis Ann Burrose, was at first an archaeologist, but after the birth of children she found a modest work of the real estate agent.

In addition to Wesley, the family has two more sons - Mel and Chase. Wes's younger brother Eric Chase Anderson became a writer and illustrator. So printing and artistic details in Anderson's films is his work. Trying to cope with the shock from the divorce, the guy began to be mischmed at school, trying to attract attention. Over time, however, he turned to creativity: in childhood, Wes shot short films about himself and the brothers.

The deposits of the director appeared already then. After studying at the School of St. John, where Anderson distinguished himself, putting large and complex plays on the stage, Wes entered the University of Texas in Austin. There, studying philosophy, the young man met the future actor Owen Wilson, whom he later began to shoot in his own paintings. In the end, they became neighbors around the room and jointly wrote a script for the film, which was called "Bottle rocket".

In the year, Anderson received a bachelor of arts in philosophy, but Wes had already seen his calling in another area. Films Shortrakh "Bottle rocket", shot by the director in his youth with Owen and Luke Wilsonov, was supposed initially as a serious film, but in the end it grew into a full -length mixture of comedy and crime and was well met by reviewers.

After the first attempt, Weses felt more confident and started working on the second film - “Rashmore Academy” with Jason Schwarzman in the title role. The film received enthusiastic critical reviews and became the subject of a wide advertising campaign. And although the picture deserved many awards, the Academy did not nominated the picture in any of the categories of Oscar.

The following work in Anderson’s biography - “Tenenbaum and Water Life” - brought UES recognition and long -awaited success. Critical reviews were ambiguous, but the director’s unique handwriting was indicated as exactly ever: love for large upper plans, an additional framework in the form of windows and other openings, an energetic removal and approaching the camera and, of course, the favorite fint of the director - following the shooting, thanks to which the effect of a doll house is created.

And the separation of each film into the chapters emphasizes theatricality, creating a sense of detachment in the viewer. Soon, Anderson decided that the animated animation would most fully help to realize his ideas, and in the year he released the cartoon “The Uniform Mr. Fox”, based on the book of the same name by Roalda Dalya. A bold project to struggle the Fox family against the evil farmer brings the picture two nominations for Oscar.

Three years later, Wesus pleased critics with the next masterpiece in his corporate identity - the “Kingdom of the Complete Moon”, in which he touched on the problem of childhood and growing up. The children of Sam and Susie in this film are exaggerated by serious, on the contrary, Anderson makes infantile, thus changing his fathers and children roles.

Trying to not change himself, the director sat down each frame with juicy details and scenery, which in his films are full -fledged storytellers of history. The Anderson team combed hundreds of antique stores, rented things from the crew members or from the acquaintances of the elderly. UES was looking for the necessary props always and everywhere, even going for a walk.

The cartoon of Wes Anderson’s cartoon “Island of the Dog” next with the enthusiasm of the Wes Hotel Grand Budapest Hotel, which brought the director of the Golden Globe and 9 nominations for Oscar, became the enthusiasm. Anderson did not take the figurine for the best directing, but was not upset because of this, because he still received well-deserved attention from the critics of the film Academy.

The cartoon became the greatest discovery in the director’s career and was nominated for the highest award of the film Academy as the best animated film. Wes Anderson is often confused with the other two directors - Paul Anderson, who gave the world the “monastery of evil”, and Paul Thomas Anderson, known for the film “Oil”. These are different people, and they are not relatives.

The personal life of Wes Anderson's personal life, although it passes “under the heading“ is “completely secret” ”, but something still seeps into the press. Since the year, UES has been in a strong relationship with Juman Maluf - designer, costume artist, illustrator and writer.Juman by nationality Livanka was born in the year. At the very beginning of the Civil War, the family managed to emigrate from Beirut to London.

There, Wes with Juman and met through common friends. The UES is not registered on social networks. But in Instagram you can find curious pages dedicated to the work of the director. Fans joined in the game of flowers and shapes imposed by Wes: they try to look at the reality through the eyes of Anderson, looking for shades and symmetry of his films in the photo or imagining how this director was shot “Forrest Hump” or “people's people”.

UES Anderson now in the year in the competition program of the Cannes Film Festival announced the next work of Wes Anderson. The long -awaited film "French Herald" with American actors of the first size announced before the pandemic. The film, conceived as Oda The New Yorker, a model of high -quality journalism of the old school, tells about the everyday life of the Parisian newspaper.

Francis McDormand, Bill Murray, Wes Anderson and Edward Norton, after the film show, film critic Anton Dolin noted in his review: “In his kingdom, the director is unchanging, the director of the scenario craft or common sense, for a long time, is not a decree. It is more important to be faithful to itself and the kind public, whose love over the years is becoming more and more massive and passionate.

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