Biographies of jazz performers

You can subscribe for a long time to list musicians and singers who have largely changed the world of jazz music. Throughout his rich history, legendary performers appeared, influencing its course and directions of further development. The contribution of Gillespi to the development of jazz is very important, especially in matters of playing the instrument.

But nevertheless, its main achievement was the foundation of a new jazz genre. Even in childhood, Dizzy, having mastered several instruments, began to play on a thrombone on his own, but always gravitated precisely to the pipe. He regularly practiced the instrument that he took from his friend. Later, he himself studied a notate letter and was able to understand the notes.

The young musician quickly mastered the pipe, and by the age of 18 he played and performed professionally in the clubs of Philadelphia. After 2 years, the gifted trumpeter met with the saxophonist Charlie Parker, with whom they eventually created a completely new direction in Jazz - Bibop. As for his game technique, Dizzy was a great experimenter. This confirms his unique manner of execution on the pipe.

Attracks of breathing technique attracted attention, as a result of which, when playing his cheeks, they acquired an impressive volume, and the sound became saturated and powerful. A talented, but extremely shy young man quickly found his calling in music. Thanks to her mother, who was a blues pianist and wanted her son to study at the piano, the boy began to make music. Davis was interested in the pipe - from the age of 13 he began to study with the local trumpeter Elvud Buchenen, and already played professionally 3 years later.

Having moved to live and continue his studies in New York, Davis joined the world of real jazz. This world brought him acquaintance with many of his idols and gave inspiration for further creative growth. Miles Davis is one of the most influential figures in the Jazz of the 20th century for many reasons: his “pure”, almost without using Vibrato, the game became a branded mark of a trumpeter, for which at that time, few dared.

None of the jazzmen of the last century was so opened by new musical movements - he masterfully combined them with jazz. It is thanks to his creative experiments, fantasies and high professionalism that a number of fundamentally new jazz sound appeared, including electronic, funk, rock and African ethnic music. Being a self -taught, Monk began playing the piano at 6 years old.

In adolescence, he accompanied the gospel choir on the church body. After a couple of years, he began to perform jazz. All his compositions and individual improvisational solo have various dissonances and non -standard broken melodic lines that made its performance recognizable.

His style of the game was so different from everything that the most sophisticated listeners and musicians got used to that at first this style sounded somewhat strange, absolutely not fitting into the general canons. Hankock’s merits in the development of jazz are as great as those who stood at the origins of this genre. He was one of the first jazzmen who began to use synthesizers and various electronic effects in jazz and fink music.

Herby's excellently discovered and well -developed talent allowed him to speak with the Chicago Symphony Orchestra at the age of 11. Herby Hankok is a real child prodigy that fully developed his own hearing and a sense of harmony, never addressing teachers. Hankok began to experiment early with the combination of several musical directions and new technical capabilities, and therefore undoubtedly deserves to be included in the list of 5 best jazz performers.

Herby's music is constant successful mixing of incompatible musical techniques and styles. In each of them there are numerous electr-sounds and a complex harmonic line. To this day, Herby Hankok is an outstanding jazz modern musician who constantly reveals the new possibilities of a long -studied genre. The musician also made a huge contribution to a jazz education, creating a series of lectures called “Ethics of Jazz”, which he read at Harvard University in the year.

He was a great jazz trumpeter, the head of the ensemble and vocalist. His indefatigable craving for music led to the fact that his influence as an individual, performer and jazz figure became practically incommensurable. Thanks to his game, the pipe appeared as a solo instrument in jazz, in addition, jazz itself turned from a collective improvised sound of folk music into a serious form of art.

Armstrong was widely recognized as a pioneer of the Square, and in the future, his vocal skills and technology helped to popularize this direction. With the advent of Armstrong, the classic soft sound of jazz was filled with bright rhythmic transitions, dynamic solo improvisations. His contribution to the jazz, as an instrumentalist, is primarily valuable with relaxation and the first, perhaps the most valuable experiments with solo performances in traditional jazz sound.