Pietro Maskanya Biography

Maskanya, Pietro Pietro Maskanya Biography was born on December 7 in Italy, in the city of Livorno, in a poor family of a baker.

Talent Pietro saw his uncle, Stefano Mascany. The man did not have a musical education, but subtly felt and loved music; He in every possible way contributed to the formation of his nephew as a musician. At the age of 13, Maskanya Jr. began to deal with Alfredo Soffredini, a composer, teacher and founder of the Livorno Musical Institute, who later received the name of the Karubini Institute.

This period of creativity includes the spelling of the symphony of FA MAZHOR, La Tua Stella songs and two important choral works - in Filanda “In Silk -Coppy”, the year and Alla Gioia “To Joy”, Soffredini taught masquemen to the art of the composition, and also made it possible to perform on the sites of Livorno with his works. The cantata “in silkwood”, which was carried out in the year, brought such a success to the author that Stefano Mascagie decided to sponsor the second concert at the Avalrati Theater.

The manuscript of the notes stored in the library of Pierpont Morgan in New York contains a comment written by Soffredini at the end of one of the arias: “Bravo, Pietro! This aria is a small masterpiece! A few years later, Soffredini spoke about his talented student as composer Amilcar Ponkignelli, the author of the popular opera of the Dzhoconda. In the year, the teacher decided that it was time to send Pietro to Milan to study.

In the year, Mascany entered the conservatory, however, in the process of learning he had disagreements with the director of the educational institution, Antonio Bazzini. Students of the Milan Conservatory did not have the right to perform at third -party concerts without the permission of the director, but this rule was regularly violated by the young composer. To avoid problems, the composer used the pseudonym - Pygmeo Sarkanti, an anagram of the surname of Muscanya.

At the beginning of the year, the composer finishes Intermezzo from the third act of the opera “William Rutcliffe” and shows it to the theater conductor La Scala Franco Faccio. With enthusiasm, he responded to the work of the young Pietro, and suggested fulfilling Intermezzo with the condition that the director of the conservatory would approve the performance.

Batszini was not impressed with work, calling it “Music Music”, and did not allow her to perform in La Scala. Maskanya slapped the door with the words “Who are you to judge me? But the time spent in the conservatory cannot be considered lost. During his studies, Maskanya lived with another student from the class of Ponkignelli, Jacomo Puccini. They became big friends during the years of student.

During this period, the composer composed a romance to the words of Andrea Maffei “Il Re A Napoli in Cremona”, especially for a childhood friend, Tenora Dario Akkonchi, the already held singer operetta. The song became known in all the corners of Italy thanks to its execution by a vocalist in tour tours. After leaving the conservatory, Mascany, thanks to the assistance of Akkonchi, he received the position of assistant assistant in a touring opera troupe controlled by Vittorio Forli.

Later he was transferred to the Skonyamilo troupe, and then joined the touring troupe of Luigi Maresk. Here he met his future wife, a subrete of Lina Karbonyan. The couple decided to settle in the provincial city of Cherinol, where the composer was ensured by the stable work of the piano teacher and the director in the newly opened music school. The salary was a LIR per month.

Maskanya complained that the income from the lessons was unstable: “The piano lessons in this part of the city do not last long. Young girls, ready to marry, work on the piano to attract attention. As soon as they get married, the lessons end. ” In Cherinol, the spouses had a child who died 19 months after birth. In the year, Sonzono published a competition for a one -act opera.

From this moment, the story of the work begins, which laid the foundation for such a direction in musical culture as “faith”. The story of the opera comes from its literary source. The writer Giovanni Verga told his own history of peasant life in the Sicilian village in an extremely successful one -acting play, the premiere of which was carried out in Turin on January 14 with the famous actress Eleanor Duza in the role of Santutsa.

Then he realized that rural honor is the perfect opera material. To this competition, he decided to create a one -act opera based on this play. Maskanya could not afford the services of a professional librettist and turned to his school friend from Livrono, Giovanni Tarjoni Tutzetti for help. The final strokes were added by the local poet and writer, Guido Menachi. Maskanya had no difficulties in creating music for a faithful libretto, it was ideally suited to a dynamic drama.

But the composer was not confident in his abilities; The work secretly sent his wife. The premiere of the opera took place on May 17 in the Roman theater "Kostani". The composer received the first prize and a monetary prize of 3 thousand lires.Over the next two years, the opera has been staged in all major centers in Europe, the USA and even Australia, bringing its author worldwide fame.

So, the new musical direction had its origins in literary works. Verism is characterized by increased drama and expression, exposed arias of “screaming” with free melodism and duplication by the vocal party orchestra for the first time in the operas of masascganes and a reflection of the life of the lower classes. The premiere took place on October 31 in the Roman Opera Theater.

The enthusiastic audience called the composer 30 times, 7 opera rooms were executed by BIS. Despite the fact that the operas of Maskanya were already put abroad, the musician himself had not traveled before. The chance introduced himself in September, when Sonzono offered the authors who collaborated with him to go to the international exhibition of music and the theater in Vienna.

Among the invited were the names of Chilea, Jordano, Leoncavallo. Both works of Maskanya were enthusiastically accepted here - “rural honor” and “friend Fritz”. The production was carried out on November 10 in Florence and brought the author a huge success. This work brought the composer in the year to London, to the premiere in the Royal Opera. The main roles were Fernando de Lucia and Nelly Melba.

For his merits, Maskanya was awarded a gift - a silver frame with a photograph and the signature of Her Majesty. At the end of the x, he creates his operas Sylvanas, Zanetto, ends the opera William Ratcliffe and the Symphonic poem Jacomo Leopardi Opera was adopted by the public favorably and withstood 16 performances over the season. In the year, the composer was appointed director of the musical lyceum in Pesaro, based on the will of Joakkino Rossini and the transformed year to the conservatory.

In Pazaro, Maskanya writes two more operas showing the entire breadth of his talent. Both works were created according to the libretto of Luigi Illik, known for his joint works from Puccini. Opera Zanetto, was created for students of a musical educational institution and was presented here in the year. The second work is the Opera Iris, based on the Japanese legend, which became the first serious opera in which all the characters were Japanese.

Mascags turned on authentic melodic drawings, maintaining the basis of the Italian romantic orchestra. The next major work of Maskanya was the opera “Masks”, which retained Rossini's legacy. The idea of ​​creating a comic opera belonged to Eduardo Sonzono.