Arkady to biography

A film adaptation of the story of the character Ivan Sergeyevich Turgenev, who wrote the novel “Fathers and Children”, created a significant work for his era.

He covered the confrontation of two generations, comparing the representatives of the two families and their lifestyle. Turgenev compares nihilism and life principles familiar to the Russian nobility. The image of Arkady Kirsanov helps to clearly demonstrate the difference in the aspirations of the main characters of the narrative. The history of the origin of the novel “Fathers and Children” was written in the year and turned out to be extremely relevant for Turgenev's contemporaries.

He defeated the prejudices reigning in society and made an explosive effect among critics. Describing the views on the life of young and adult heroes, the writer showed a thin line between two generations and the problems of mutual understanding that arise between the “fathers” and “children”. Ivan Turgenev for Turgenev there are no negative and positive heroes. The author’s attitude to the views of the characters is read on top of the events described.

He is more concerned about the moral background of the conflict and an analysis of how the actors demonstrate their point of view. The political position of Bazarov and the Kirsanovs is a fundamental category for comparison in the novel. The nobility to which Arkady Kirsanov, his father and uncle, do not accept revolutionary ideas, symbolizing the beginning of a new era. Arkady Kirsanov is a character due to which the action takes on dynamics.

The plot of the novel is lined up around him, it personifies the spirit of contradiction. The image and character of Arkady Kirsanov is a recent graduate of St. Petersburg University, a nobleman, whose age is barely 23 years old, Arkady Kirsanov returns to his native penalties. There he is waiting for his father, Nikolai Petrovich Kirsanov - a merry -and -hearted landowner, loyal to the newfangled trends among the youth, and uncle Pavel Petrovich Kirsanov - liberal and a dandy, whose life life is very difficult.

Arkady, in the author’s view, is a bright soul, not spoiled by society. He is modest and sentimental, with cheerfulness went to his father, has a good upbringing and education. An emotional and sentimental young man accepts the events that take place close to the heart. Like the father, he loves to do the affairs of the estate and does not favors conflicts. Its subtle spiritual organization is manifested in love for music and nature.

Bazarova, who belonged to the estate of the rachers, perceived the young landowner as part of it. A friend, whose origin was not a problem for Kirsanov, became his guest. The nihilist and revolutionary actively promoted his ideas, trying to infect a friend with enthusiasm. Arkady becomes a follower of Bazarov, although the position of a senior comrade is not always close to a young man.

Seeing how abruptly a friend speaks into the presence of his relatives, Kirsanov Jr. ceases to support a recent mentor. Politics is not discussed in the Kirsanov house, and the bazaars regularly raising this topic becomes an irritant in the conditions of the usual foundations of the estate. Happiness for Arkady Kirsanov is not in the confrontation between the political regime for the sake of reigning new leaders and laws, but in simple family happiness.

He finds his quiet harbor in alliance with Anna Odintsova’s sister, which Bazarov was in love with. The further fate of Kirsanov was a foregone conclusion: a cozy home, beloved son and his father’s estate were the subject of his interest. Anna Odintsova, at first, seeming an ideal ally for the nihilist, Arkady turns out to be an imaginary follower, for whom Bazarov’s theory is a passion for youth.

Fate has prepared a more modest purpose with which he is ready to put up with his own calm and satisfaction. With age, he becomes closer to his father, and a useful Bazarov, a helper, turns into a provincial landowner with a simple and predictable circle of interests. The era that formed his personality combined the interests of two generations. The hero does not confront the basics of his upbringing for the sake of nihilism.

Due to his young age, romantic revolutionary ideas seem interesting to him, which is typical for representatives of each new generation. Evgeny Bazarov Bazarov sought to re -educate a friend, whose characteristic seemed to him too positive for nihilism. The attractive appearance of the character is adjacent to a mass of positive character traits that make him “soft -bodied” in the eyes of the mentor.

Arkady's soft -hearted Bazarov is alien. The poetic spiritual warehouse of a friend, his dreaminess and sensitivity cause a nihilist to censure. Under the influence of Bazarov, Kirsanov tries to abandon his own ideals, but his nature is stronger than the proposed landmarks. Arkady, who seemed to be the shadow of his “teacher”, goes into independent swimming.

The charm of the nihilist becomes weaker, and the imposed ideas no longer seem so real, because the young man understands that he is too weak to participate in activities in the name of the revolution. He is simply not able to play the adopted role.Evgeny Bazarov and Arkady Kirsanov adherent of family traditions, Kirsanov is completely contrasted by Bazarov in adulthood. The story of a hero who considers himself a “beavers” and ready to put his own life on the altar of public beliefs is not connected with those who objectively evaluate the prospects of activity in the scale of provincial life.

The soft and led Kirsanov is able to introduce changes to the life of the common people, being close to him, and not prophetic from barricades, like a friend. The re -education of the young man is not possible, and Bazarov’s influence weakens. Having parted with a friend, Arkady forgives him sharp words and reproaches. In the final of the narrative, it turns out that Bazarov did not change Kirsanov in the life of Kirsanov and failed to influence the worldview of the landowner.

The film adaptation of the novel "Fathers and Children" was filmed five times. The first film on the work of Ivan Sergeevich Turgenev was released in the year in the production of Vyacheslav Viskovsky. The sea first embodied the image of Arkady Kirsanov on the film screen. The television test of the year, played by artists of the State Academic Maly Theater of the USSR, is still broadcast on television, introducing the public to the directorial work of Alexei Simonov and Alina Kazmina.

Yuri Vasiliev was appointed to the role of Arkady Kirsanov in the production. Actor Alexander Ratnikov Vyacheslav Nikiforov, director of the film “Fathers and Children” of the year, invited young Vladimir Konkin to work on the image of Kirsanov. The modern film of the year Avdoty Smirnova introduced the audience to the interpretation of the image Alexander Ratnikov.