Sergey Kempo Biography

Interesting facts by Sergey Kemo are now reckoning with the so -called new generation of cultural figures. The actor has an impressive number of main and secondary roles in performances and feature films. The meticulous attitude of Kemo towards the choice of scripts makes projects with his participation by the masterpieces of modern theater and cinema. Childhood and Youth Sergey Vladimirovich Kemo was born under the sign of the Zodiac Sagittarius in early December.

The family lived in one of the areas of Moscow, so the child from early childhood was immersed daily into the atmosphere of the capital. At an early age, the future actor was not much different from peers. He was fond of team games like football, loved to run and ride a bicycle. In school years, creative abilities gradually began to manifest. Seryozha began to participate in thematic events, concerts and matinees.

The boy liked to speak to the public, and he danced with pleasure, performed vocal compositions and read poetry. Having overcome the entrance exams, he ended up at the acting department. The course was supervised by a talented actor, director and teacher Boris Afanasevich Morozov. In addition to him, a number of other experienced teachers were present nearby. In m, having received a diploma, Sergei realized that it was necessary to put knowledge in practice.

Fortunately, the head of the workshop was headed by one of the leading Moscow theaters. Guided by the fact that the Russian scene constantly felt the need for young talents, Morozov called to the Kemo troupe as one of the brightest graduates. The theater and cinema creative biography began on the stage of the Central Academic Theater of the Russian Army.

At first, the young Muscovite was a statist and performer of episodic roles. Gradually, Kemo gained experience and won the trust of directors who staged performances of various genres. Despite the constant involvement, over time Sergey wanted more.

In an interview, he said that he realized his own “insignificance” for the work of a huge theater machine. Refusing to lose individuality in one of the largest groups of the capital, the pupil of Boris Morozov switched to the cinema. By the time of dismissal in his portfolio, there were photographs in the images of the heroes of the paintings “The Secret of Love”, “The Night in Life” and “Buried by the Sun - 2: Present”.

Kempo admitted that at the initial stage he worked at the site in the same way as in the theater. The difference became clear later, in the year. A small role was given by a chance to gain tremendous experience, because there were talented colleagues nearby: Danila Kozlovsky, Roman Madyanov, Nina Usatova and Vladimir Menshov. An additional bonus was a rapprochement with the master of Russian cinema, Oleg Menshikov.

People's Artist, the star of the Siberian Barber, the Statsky Advisor, Dr. Zhivago learned that the young colleague left the Russian Army Theater, and invited him to join the troupe of the theater named after Maria Nikolaevna Ermolova. Sergei realized that such a chance to miss unacceptable, and agreed. He first appeared on a new stage in a comedy based on the play by Nikolai Vasilyevich Gogol “Players”.

The project discovered the unsolved facets of Kemo talent and gave the further development of his career a powerful impetus. In M, the premiere of the film-catastrophe of Nikolai Lebedev “Crew”, in which the Muscovite played the flight attendant Andrei, took place. Casting directors were so far -sighted that all the images were overlapped. As a result, what was happening on the screen was as similar as possible to real life.

Thanks to this work and the influence of Menshikov, Kempo finally learned the difference between cinema and theater. In the future, he combined shooting with live performances and easily switched from one type of activity to another. At the end of the X filmography of the artist was replenished with multi -ghost and multi -format paintings: “heavy hangover”, “monk” and a short film “Seryozha”, which included in the film brown “Russian brief.

Issue 2 ". In the latter, the actor acted as a screenwriter. In the theater, in addition to Dorian Gray, from the production of the same name, firmly settled in the repertoire, Sergey played the waiter Dima in the “duck hunt” and Laerte in “Hamlet”. Satisfaction from work brought the fact that the performances collected a full house. He was interested to participate in the filming of the science fiction tape “Gemini Project” with young colleagues Yegor Koreshkov, Alena Konstantinova and Lisa Martinez.

Despite the fact that for a number of reasons the character of Kemo was removed from the plot of the film, renamed the Star Reason, there was a sense of satisfaction. It came in handy to participate in the mystical drama "Kenzeli" with the master of cinema Alexander Domogarov. Personal life Sergei Kempo has been looking for happiness in his personal life for a long time.

In his youth, he met with girls and women, but not one, including actress Irina Pegova, did not fit the role of his wife. Finally he met a colleague by profession Anna Vorkuev. It was decided to play a wedding, after which a daughter with a rare name Danaya was born in the family of a Russian actor. The camp of Kempo is the see Sergey Kempo now in the year of Kempo continued to work on two fronts.In February, one of the most anticipated cinema was the premiere of the film adaptation of the book “Eternal Age” by Alexander Zvyagintsev, entitled “Nuremberg” with Sergey in the title role.

At the same time, at the site called “Theaterum on Serpukhovka”, the performance of Samghin’s novel “Don’t sit down in my sled” successfully, and in May, the premiere of the Kabara musical, in which Sergei played the role of Clifford Bradshaw, was held at the site of the Nations Theater. Filmography - “Night in Life” - “Flint”.