Block Biography Abstract

Abstract for the literature "Blok Blok" Blok Alexander Alexandrovich Father, A. Blok, was a lawyer, professor of Warsaw University; Mother, A. Beketov for the second marriage-Kublitskaya-Piotukh, daughter of the scientist-botanik A. Beketov, rector of St. Petersburg University. Blok's parents dispersed before the birth of his son. Blok grew up in the family of a grandfather, surrounded by universal attention and care.

The young block “published” manuscript magazines in one copy, where he tried his strength in a wide variety of genres - from travel notes and feuilletons to translations, parodies and poems. However, the “serious scripture” began only at the age of seventeen, after the end of the St. Petersburg Vvedensky gymnasium. This first time of creativity was the period of accumulation of experience and the poetic and self-determination of Bloc.

At that time, he seemed to “worry” Russian poetry from Zhukovsky to Fet: he thought, felt, and created in her romantic spirit. In the city of Blok he entered the law faculty of St. Petersburg University.

He was seriously carried away by the theater and even “prepared for the actors”, for some time was part of the troupe of the St. Petersburg drama circle. Their novel lasted several years. He was reflected in passionately-fucked youth letters to Sadovskaya, as well as in many verses: the early and later cycle "Twelve years later", in the summer of G. Mendeleeva D. Lyubov Dmitrievna immediately made a great impression on him.

From this moment, a new countdown of time began for the block. He later examined his early lyrics, under the symbolic sign of "Ante Lucem" "Before Dawn", "Before the Light". It was the time of vague hopes, youthful dreams, the searches of the ideal, the "unknown God", the spiritual foundations of life, the time of wandering in "predawn twilight". In the minds of Blok, his unusual poetic mythology was gradually formed, associated with the image-symbol of eternal femininity, a beautiful lady, with the ideas of the transformation of the world.

On the eve of the XX century. Blok lives in anticipation of some unprecedented future changes. Sometimes he has apocalyptic sentiments. He often experiences the special states of the soul caused by a sense of ownership of the Sacraments of the world. The block is intensively engaged in an ancient idealistic philosophy, is fond of Plato’s teaching about the spiritual essence of the universe.

The poet believes in the existence of "other worlds", where true being is committed. This philosophy is in many ways close to the romantic idea of ​​"Dvoemeria", which found a poetic expression in the lyrics of Zhukovsky and Fet. One of the key events in the life of Blok was the acquaintance in the city of the poet opened the origins of his vague experiences, became clearer "mysticism, which was saturated with the air of recent years of the old and first years of the new century." Under the influence of Vl.

Solovyov Blok was increasingly capturing the thought of the embodiment of the ideal in earthly reality. He believed in the possibility of contacting the ideal "other" and real worlds. Everything that happens "here" on Earth is, according to Vl. Solovyov, "only a reflection, only shadows from invisible eyes." In one of the poems, G. Blok writes: Soloing the call of life vague, I will not give up the thoughts of false and minute in a dream.

The expectation of a grand transformation was increasingly connected in his mind with the flow of eternal femininity to the earth. Her phenomenon, the mysterious Virgin, should be preceded by certain signs, accessible only to the spiritual gaze of the elect, "dedicated". Heavenly and earthly "visions" are sparkling the poet. The aspiration of the transformation of the world reached the climax of the "mystical summer" G.

Blok lived by faith in the fact that there was already a personified image of eternal femininity on Earth, which he dreamed of Vl. Implying L. Mendeleev, Blok wrote: “I met her here, and her earthly image, completely disharmonent with the unearthly, caused a block in me, Blok perceives her love for her as an exalted“ mystical novel ”, as an important action of the universal mystery of the renewal.

On many poems of Blok - GG. This is the main symbol of its early lyrics. Meanwhile, the earthly novel was quite awarded to the earthly novel. Drama: with allegedness and not understanding of her, with his despair, thoughts of suicide, with the torment of unnecessary hopes, anxiety, real and “mystical” jealousy, finally on November 7, G. Blok received a “royal answer”: Lyubov Dmitrievna agreed to become his wife immediately after this event.

Soloviev Brother Vl. Solovyova and his wife O. Soloviev, 3. Gippius and D. Merezhkovsky, who activated his interest in religious, public and aesthetic problems. The first selection of poems from the Bloc from the initiations appeared in the headed magazine "New Way" in the new path. In the same year, in the 3rd book of the Almanac “Northern Flowers”, a cycle of poems was published under the title “Poems about the Beautiful Lady” The title was proposed by V.

In January G. Blok enters into a correspondence with Andrei Bely, with which he was brought together by a similar mystical mood, kinship of spiritual searches, fidelity of the Solovyevsky Testaments. Blok with his wife's marriage took place in August in Bryusov, K.Blok received a collection of poems from the Moscow Publishing House "Grif". The book, entitled "Poems about the Beautiful Lady", came out in October G.

by the time the collection of the collection Blok had already moved far from those ideas and motives that made up its poetic content, they have already become "past" in the spiritual development of the artist. The period of "poems about the beautiful lady" - the Blok itself later figuratively called "the moment of too bright light." This "light" for a while blinded him, but he saw that the world remains unchanged, alien to the ideal.

Inevitably, a gradual transition from the "dream of dreams" to the "dreams of everyday consciousness" should have been inevitably. Blok peers more closely into the surrounding reality; He is attracted by "mysticism in everyday life", which in verses of that period often turned into "fantastic realism." Reality literally "bursts" into his poems - gg. This is especially noticeable in those of them that later included in the City cycle: “rally” ”he spoke smartly and sharply a single, comprehensive image of eternal femininity in the poet’s mind into heterogeneous feminine faces.

This is a mysterious“ stranger ”, and a“ platform prostitute ”, and simply a meeting of a lyrical hero of the years of those years - - a poet, which has grown into the elementary of life. “Visitor of the Night Restaurants”, in many respects, was in many ways to accept from the changeable world of a moment of “ineverable joy”. With inexorable logic, a veil falls from the eyes of the eyes, the inexorable features of insane deformity torment a beautiful face.

But in violent delight, the soul sings the glory of the new spells and new rampers, such a striking change was painfully perceived by the recent like -minded Blok: Andrei Bely and Sergey Solovyov. They accused him of treason with the high ideals of youth, of the abandonment of the noble mission of the poet-Tourg, designed to transform the world. The block, meanwhile, further emphasized his caustic and irony attitude to the claims and aspirations of the mystics, stubbornly awaiting the miracle of the transformation of the world, in the trilogy of "lyrical dramas", especially in the "Balaga" and "Stranger", the third drama-"King on the square", however, to find moral-philosophical and aesthetic guidelines, consistent with the new worldview, turned out to be It is not easy.

The block for a while breaks with Andrei Bely and Merezhkovsky, comes closer to Vyach. Ivanov, with the rebellious G. Chulkov, seeks to establish ties with the Gorky "knowledge", takes part in discussions on topical issues: about the people and intelligentsia, about the fate of Russia, about the role of art. He gradually acquires a “public man’s halo”. And yet these years-were generally crisis for the block.

He experienced them as a period of "timelessness" in the city of Blok wrote an article under the name when the ideals faded, the devastation and despair came up when the sinful "earth" and the bright "sky" mixed in consciousness. The decline in the expectations of the revolution, and the dramatic vicissitudes of his personal life, the Bloc, did not live up to the family, the conflict with Andrei Bely, played here.

Increasingly, the motives of bitter irony and skepticism arise in the poet’s work. In this situation, the block plunged into the "Dionysian" element of oblivion and delight. He longed for the boundless completeness of being and rapture by art that would overshadow the imperfection of the world, dulled from unreleased hopes. The culmination of that stormy, vortex time was the passionate and unrequited hobby of the poet of the St.

Petersburg actress N. It was devoted to the cycle of poems "Snow Mask", written in the winter of G.