Biography of Vyacheslav Efremova

Meanwhile, a split was brewing in the theater. The troupe again became too numerous, Efremov had to put many small passing performances that were little interested in the audience, but allowed to occupy most of the actors. Artists with little employment believed that they were unfairly evaluated. Gradually, the troupe was divided. In order to smooth out the conflict, in the year Oleg Efremov proposed to create two autonomous units of the theater - the main Moscow Art Theater in Kamergersky Lane and a branch on Moskvin Street.

The new decisions of Efremov at first in the new theater Oleg Efremov reigned the confusion: it was too difficult to harmoniously divide into two parts not only the team, but also the repertoire. Efremov refused to put passing, irrelevant performances and works that were not interesting to him, and this caused new protests in the troupe. Efremov also failed to find a new interesting playwright from modern authors, so he focused on the productions of classical works.

The last production of Oleg Efremov was the play “Three Sisters” in the year. He caused the delight of the public and critics. The director receded from the usual canons of this performance: for example, the final scene, according to his idea, took place in the park, at home in the background was not visible. Oleg Efremov in the cinema, unlike many colleagues-director, Oleg Efremov never left acting.

In parallel, he starred in the cinema, although at first he was doubtful about this type of art, believing that such work is destructive for the talent of a theater actor. The film career Efremov began in the year: he played Alexei Pisorov in the film “The First Age”. It was the role of the ideal Soviet man - a Komsomol member, an exemplary Soviet citizen.

After that, Efremov repeatedly reincarnated into such “right” heroes - Chekists, party leaders, and criminal investigators. However, the audience remembered more and fell in love with Efremov’s lyrical images. On the other hand, the actor was attended by Self -irony that allowed him to play as if not seriously, emphasizing the easy condescension to his character, ”Ryazanov said.

And a year later, the film “Three Topols on Plyushchiya” appeared, in which the actor played a taxi driver Sasha. Colleagues noted that Efremov performed all his roles naturally and simply, easily getting used to the image. In the theater, he almost did not use makeup. Spectators mistakenly believed that in all the heroes-modernities the actor simply plays himself, but in the cinema he also naturally “entered” the image of Dolokhov.

It was Efremov’s own artistic tradition - to play practically without playing. The last work of Oleg Efremov in the cinema was the ten -part film “Chekhov and Co”, released in the year. In it, the actor performed two roles at once - the father of Savva Zhezlov in the short story “Holy Simplicity” and the landowner Kamyshov in the story “In a foreign land”.

Oleg Efremov’s personal life Oleg Efremov was considered attractive and amorous. However, none of them had a family. The first wife of Efremova was actress Lilia Tolmacheva. Their marriage did not last long, there were no common children. However, even after the divorce, the couple retained a warm relationship, even formed a strong creative union: Efremov invited Tolmachev to a “contemporary”, and soon she became a leading actress.

In the year, Efremov met with summer journalist Irina Mazukuk. Officially, they did not make a marriage, but lived together for three years. They had a daughter Anastasia, who later became a theater critic. The third and last wife of Efremova was the actress Alla Pokrovskaya. They got married in the year, and soon the son of Mikhail, the future actor, was born to the spouses.

Oleg Efremov died on May 24 in Moscow. He was buried in the Novodevichy cemetery, next to the grave of Konstantin Stanislavsky. Interesting facts from the life of Oleg Efremov 1.

The actor recalled that he often visited the writer’s house, but did not realize all the significance of such meetings: “I don’t remember the very owner of the house, but the atmosphere of the beautiful, cheerful, intelligent family remained in my memory ... I had no idea about either the“ Turbin Days ”, or about the head of this house ... just Bulgakovsky house ... just Bulgakovsky house It turned out to be part of life, a "foresight" of a meeting with the Art Theater.

" Once he agreed on stage: instead of a replica, “I'm responsible for everyone! Efremov’s partner - Evgeny Evstigneev - was not at a loss and answered: “Then for gas, Your Majesty! In the film “Beware of the Car”, Eldar Ryazanov first saw Efremov as the protagonist - “The noble thief” Yuri Detochkin. Efremov was in love with Nina Doroshina. Fortunately, everything ended quite peacefully: the rivals were able to agree without the use of force.

In publications.