Biography of the PPC group

The story of the success of the group from Rostov and the Soviet composer in the year of the Rostov group PPK for the first time in the history of Russian music burst into the tops of world charts. The electronic trans-project debuted in the main chart of the UK UK Singles Chart in third place with the RESURRERRECTION track. The track lasted in the first hundred 18 weeks, received a silver status of more than thousands of sales, fell into a rotation on BBC Radio 1 and other popular stations throughout Europe.

Now the rights to Resurrection are owned by Warner Music Group. PPK in London Facebook. In the year, the Internet came to Rostov-on-Don. It was then that the future musical producer, and at that time, the radio host and organizer of the raves, Sergei Pimenov, began to use the network - mail and protocrats. A few years later, along with Alexander Polyakov and Roman Korzhov, he created an electronic trans -project PPK - and immediately decided to launch the site.

In the year, he bought a three -letter PPK domain. Now Sergey is selling it for thousands of rubles.

Actually, I bucked up, as you could take. PPK began to look for an option where to place single and albums in good quality. Having stumbled upon the MP3 website. The trend then trans, and even from exotic Russia, quickly gained popularity - PPK had thousands of fans. Site mp3. He created the site in the year, began to publish music in essence with a pirate way and incurred the anger of large labels.

Robertson very much ahead of time - in fact, he already came up with an Internet model of music distribution, while the industry sold cassettes and CD with might and main. We laid out on mp3. Then Robertson got the money somewhere and blew such a concept: once a month to distribute a million dollars to artists for downloading - then there were no sales. Such a startup x, the first bubble of the bubble.

We also learned about it - and decided to participate. When we were credited with the first money, we realized that they need to receive them in America. It is good that then we already had fans in the USA - as a result, a fan from Texas was transferred to us. And then we began to get high - from nowhere in the year, money began to come to us. Sergei Pimenov for the first earnings from the sale of music, they bought synthesizers and settled in the studio to write a second album, simultaneously sending the Resurrection track to international labels.

So several months passed - the money began to end. During one of the rehearsals, they called from England. Oksenfold offered a PPK contract, money and world fame. Rostov musicians agreed, signed up on the Rerfecto Records label and soon went to London to wait for the official release of the single resourrection. PPK in London, year Facebook. Finally, the release was ready - on December 3, he made his debut in the UK Singles Chart in third place.

In Russia, PPK music was not in demand even after success in the West. They turned to the labels from Moscow, but they nodded their heads negatively and said that no one would listen to. As a result, PPK had only a few performances - according to Pimenov’s recognition, they did not even really know the earnings from corporate parties. The second single of the group - Reload, also got into international charts, but had no such much success.

And in the year, the PPK group broke up due to the disagreements of the participants. PPK group in the original PPK composition. But not everything is so simple. The fact is that the original melody on which the Resurrection track is built is not at all PPK musicians. Alexander Polyakov heard her in childhood and played it on the synthesizer as a warm -up. There was no Shazam, for some reason, the group members decided that this was the melody of composer Alexander Petrov.

They contacted him and asked for consent to the use of a melody - he was two hands for. But it soon became clear that the composition belongs to another person - the chief Soviet electronic musician, a real legend to Eduard Artemyev. The melody sounded in the movie "Sibriada" another year. The original composition of Eduard Artemyev for the film "Siberiad" Pimenov and Poles went to Artemyev in Moscow to get written consent to use the composition.

According to Pimenov, Artemyev personally wrote consent - happy musicians went back to Rostov. When the track became a hit, it turned out that there was nothing like that. Either we were fucked up, or Artemyev. Pimenov receives copyright deductions for related rights. Will these deductions have enough to live a month without doing anything else? Subsequently, the PPK group tried to revive, but it did not work out to repeat the previous success.

To date, Pimenov and Poles are engaged in producing various musical and not only projects. Of the Russian performers, PPK in international charts was successful only in the T.